cirilo-f-bautista – Wiki Philippines

Definition

Cirilo F. Bautista (July 9, 1941 – May 6, 2018) was a Filipino poet, fictionist, essayist, and critic — a National Artist of the Philippines for Literature whom the NCCA’s official profile calls “the foremost writer of his generation.” (NCCA) Born and raised in Manila, a magna cum laude literature graduate of the University of Santo Tomas, he taught at St. Louis University (1963–1968) and UST before moving in 1970 to De La Salle University, where he served fifteen years as writer-in-residence and helped found its creative-writing programs; he died at seventy-six on May 6, 2018, his death confirmed by the DLSU Department of Literature, and was buried at the Libingan ng mga Bayani. (Wikipedia, Inquirer)

His is a double canon: nine Don Carlos Palanca Memorial Awards across poetry, fiction, and essay — from The Cave and Other Poems (1968) and The Archipelago (1970) onward — capped by induction into the Palanca Hall of Fame in 1995, the inaugural class this wiki’s Palanca Awards entry carries; and the epic line of The Trilogy of Saint Lazarus, concluded by Sunlight on Broken Stones (1999), which took the First Prize in Epic Writing of the 1998 National Centennial Commission literary contests. (Wikipedia) He was conferred the Order of National Artist for Literature in 2014, former President Benigno Aquino III making the award. (NCCA, Inquirer)

Identities

Source	Identity	URL
Wikipedia	Cirilo Bautista (verified this session)	https://en.wikipedia.org/wiki/Cirilo_Bautista
Wikidata	Cirilo Bautista (Q5121904) — “Filipino writer” (verified this session via the search API) (Wikidata — Q5121904)	https://www.wikidata.org/wiki/Q5121904
DBpedia	N/A — endpoint unreachable this session (ETIMEDOUT, repeated attempts)	N/A
ProductOntology	N/A	N/A
Wiktionary	Bautista — proper noun, a surname from Spanish (after San Juan Bautista), carried as a common Christian surname in Tagalog; no entry for the person himself (headword verified this session) (Wiktionary — Bautista)	https://en.wiktionary.org/wiki/Bautista
Library of Congress Subject Headings (LCSH)	N/A — id.loc.gov unreachable this session (HTTP 403, repeated attempts)	N/A
MeSH	N/A	N/A
NCBI Taxonomy	N/A	N/A
AGROVOC	N/A	N/A
Google Scholar	Cirilo F. Bautista poet National Artist Literature Philippines The Archipelago Sunlight on Broken Stones Trilogy of Saint Lazarus Galaw ng Asoge Palanca Hall of Fame 1995 De La Salle University Philippine literature	N/A
ConceptNet	N/A	N/A
OpenCyc	N/A	N/A

Also Known As

Cirilo Bautista — the standard reference styling, without the middle initial
Cirilo F. Bautista — the full styling of the National Artist conferment

Examples and Analogies

The tournament poet: his career is legible through the Palanca winners’ roll — nine prizes across three genres over three decades, ending in the 1995 Hall of Fame — the competition-as-canon mechanism this wiki’s Palanca Awards entry documents. (Wikipedia)
The epic on Philippine history: Sunlight on Broken Stones, a 3,050-line epic concluding The Trilogy of Saint Lazarus, took the Centennial Commission’s epic prize in 1998 — a national-history poem commissioned by the nation’s hundredth year. (Wikipedia)
The teacher as institution: the NCCA credits him with writing workshops nationwide, the founding spirit of the Philippine Literary Arts Council (1981) and the Iligan National Writers Workshop (1993), and the classroom as “an important training ground for Filipino writers.” (NCCA)
Verified biographical data:
Life: born July 9, 1941, Manila, raised in Balic-Balic, Sampaloc; died May 6, 2018, aged 76; buried at the Libingan ng mga Bayani (Wikipedia, Inquirer)
Education: AB Literature, UST, magna cum laude; literary editor of the Varsitarian; honorary Fellow in Creative Writing, University of Iowa (1969) (Wikipedia, Inquirer)
Teaching: St. Louis University 1963–1968; UST 1969–1970; De La Salle University from 1970 — writer-in-residence for fifteen years, co-founder of the Bienvenido Santos Creative Writing Center (Wikipedia, NCCA)
Palanca record: nine awards — including The Cave and Other Poems (1968), The Archipelago (1970), Charts (1973), Telex Moon, the essay “Philippine Poetics” (1981), and the stories “Ritual” and “The Man Who Made a Covenant with the Wind”; Hall of Fame, 1995 (Wikipedia)
Major works: The Trilogy of Saint Lazarus (2001), containing the Centennial epic Sunlight on Broken Stones (1999); the novel Galaw ng Asoge (2004); the criticism of Words and Battlefields (1998) and Breaking Signs (1990) (Wikipedia, NCCA)
Honors: National Artist for Literature (2014); five National Book Awards; Gawad Balagtas (1997) (NCCA, Wikipedia)

Usage Scenarios

1. Studying the Palanca Record

Bautista is the competition’s decorated case — nine prizes and the 1995 Hall of Fame — the record this wiki’s Palanca Awards entry treats as the measurable standard of a Filipino literary career. (Wikipedia)

2. Teaching the Philippine Epic in English

The Centennial epic and its trilogy are the standard classroom texts for the long poem in Philippine English — the “monumental work on Philippine history” of the standard account. (Wikipedia)

3. National Artist Research

The NCCA profile is the official entry point for the conferment record — the award, the citation’s claims, and the institutional biography the state maintains. (NCCA)

4. Tracing the Creative-Writing Institution

His DLSU decades — the writing center, the PLAC, the Iligan workshop — map how Philippine creative writing moved from magazines into the university, the shift the NCCA’s threefold summary credits to him. (NCCA)

Strategies

Read the canon through the archive: his oeuvre is unusually competition- and institution-documented — Palanca rolls, Centennial contests, the NCCA profile — so claims can be pinned to records rather than reputation. (Wikipedia, NCCA)
Separate the prizes by sponsor: the Palancas and the 1998 Centennial epic prize are different awards from different bodies; keeping them straight is the entry-level discipline of Bautista scholarship. (Wikipedia)
Use the official conferment year: the NCCA carries “National Artist for Literature (2014)”; citations should follow the official record over the looser “2015” of some retellings. (NCCA, Inquirer)
Pair the poet with the critic: the same career produced the poetics of Words and Battlefields — the theoretical and the creative work explaining each other. (NCCA)

Security and Safety Measures

Institutional continuity: the DLSU department’s confirmation of his death shows the university record functioning as the primary channel for a writer’s biographical facts. (Inquirer)
Archive discipline: his manuscripts and columns are held in university repositories; researchers should cite archival locations rather than retellings. (Wikipedia)
For researchers: the official NCCA profile and the standard account differ on emphasis — the profile’s four major works against the longer bibliography — and citations should name which record they follow. (NCCA, Wikipedia)

Historical Context

Bautista’s generation entered Philippine letters when English-language writing was rebuilding its institutions: the Palanca competition a decade old, the workshops forming, the universities hiring writers. His path ran through all of them — the UST education, the Iowa fellowship, the Baguio and La Salle classrooms — and his nine Palancas tracked the competition’s rise into the national canon-maker this wiki’s Palanca Awards entry describes. (Wikipedia)

The late works sit on the state’s own commemorative calendar: the Centennial Commission’s epic prize of 1998 for Sunlight on Broken Stones, the trilogy collected in 2001, the Tagalog novel Galaw ng Asoge in 2004, and in 2014 the Order of National Artist — the state’s highest cultural honor, conferred by President Aquino, joining him to the roster of National Artists for Literature the Palanca record already shared. (Wikipedia, NCCA, Inquirer) He died in Manila on May 6, 2018, aged seventy-six, and was buried at the Libingan ng mga Bayani — the national resting ground marking the national honor. (Wikipedia, Inquirer)

Challenges and Controversies

Which Year for the National Artist

Retellings variously date his National Artist honor to 2015; the official record is 2014 — the NCCA profile’s “National Artist for Literature (2014)” and the obituary’s account of Aquino’s 2014 conferment — and this entry follows the official source. (NCCA, Inquirer)

The Centennial Epic Is Not a Palanca

Sunlight on Broken Stones is commonly misdescribed as a Palanca grand-prize poem; the documented record is the First Prize in Epic Writing of the National Centennial Commission’s 1998 literary contests — a state commemorative award, not the Palanca. (Wikipedia)

The Column Record

The standard account lists Breaking Signs (1990) among his books, and later collections gathered his newspaper essays; but the official NCCA profile and the obituary verified for this entry name no publication or year span for the long-running column behind them — the gap recorded here rather than filled from unverified retellings. (Wikipedia, NCCA, Inquirer)

Tag: cirilo-f-bautista